lieko shiga

Lieko Shiga http://www.liekoshiga.de/

scene

a broken scene

bas jan ader

Bas Jan Ader, 1942 - 1975 http://www.basjanader.com/
Dutch/Californian artist Bas Jan Ader was last seen in 1975 when he took off in what would have been the smallest sailboat ever to cross the Atlantic. He left behind a small oeuvre, often using gravity as a medium, which more than 30 years after his disappearance at sea is more influential than ever before. Bas Jan Ader was born to idealistic ministers in the Dutch Reformed Church on April 19, 1942. His father was executed by the Nazis for harboring Jewish refugees when Ader was only two years old. A rebellious student, he failed art school at the Rietveld Academy, where friend Ger van Elk recalls that he would use a single piece of paper for the entire semester, erasing his drawings as soon as they were finished. At the age of 19 he hitchhiked to Morocco, where he signed on as a deckhand on a yacht heading for America. The yacht shipwrecked off the coast of California, and Ader stayed in Los Angeles where he enrolled at Otis Art Institute. There he met Mary Sue Andersen, the daughter of the director of the school. They married in Las Vegas, where he used a set of crutches to symbolically prop himself up during the ceremony. Ader then taught art and studied philosophy at Claremont Graduate School. In 1970 he entered the most productive period of his career, beginning with his first fall film, which showed him seated on a chair, tumbling from the roof of his two-story house in the Inland Empire. In 1975 Ader embarked on what he called “a very long sailing trip.” The voyage was to be the middle part of a triptych called “In Search of the Miraculous,” a daring attempt to cross the Atlantic in a 12½ foot sailboat. He claimed it would take him 60 days to make the trip, or 90 if he chose not to use the sail. Six months after his departure, his boat was found, half-submerged off the coast of Ireland, but Bas Jan had vanished.

scene

she

way home

bus no. 400-1

sellin selly selline

sellin selly selline a prostitute girl
he is an one man band who lives and works in busan, south korea. he creates melancholic and cynical songs. i love his keen and nervous voice, it scratches my heart badly.
i took this video on last friday. he had a gig in my city. there was some other bands also but his show was undeniably the most memorable one that day i think. and here's korean lyrics.

몸파는 아이

웃으며 다가와 내곁에 앉는 아이
"그래 내게 무엇을 바라니?"
그것 참 쉽구나 그저 얼마의 돈으로
너를 살수 있다니 말이야

당연하단듯이 나의 손을 잡는 아이
고갤돌려 재채길 하더니
"감기에 걸렸어" 웃어보이는 아이
나도 그만 웃어버렸다지

누굴 위한건지 모를 저 붉은등이 켜지고
우리는 서로의 몸에 익숙한 향기를 찾아 헤메이네
누가 누구를 속이는건지 모를 연극이 시작되고

그대여 내게 말을 해주오
그대여 그대여 내게 사랑이라 말해주오
그대여 내게 거짓말을 해주오
그대여 그대여 그대여

하지만 고개돌린 아이는
재채기를 하네

그대여 내게 거짓말을 해주오
그대여 그대여 내게 사랑이라 말해주오
그대여 내게 거짓말을 해주오
그대여 그대여 그대여

그대여 내게 재채기를 해주오

뒤돌아 오는 길 거리는 텅비었고
구름사이로 달이 홀로 환하네
나는 한참동안 달을 바라보다가
달을 등지고 나도 재채길 했지

vier minuten

vier minuten
http://www.imdb.com/title/tt0461694/

martin craft

Martin Craft http://mcraft.co.uk

katja mater

celebrating RGB color space; flags, 2007


celebrating RGB color space; green square, 2007


celebrating RGB color space; BYR, 2007


Dancing to: ‘....So’ by Soft Cell with density filter ND 0.9 F=22 T=3:49, 2007


ilustration #3 (color wheel), 2007

-
Katja Mater http://www.katjamater.nl/

My subject matter are the medium-specific characteristics of photography, and its framework - light, reflections, three dimensions expressed within two. The work is about looking, seeing photography, and at the same time experiencing one’s own perception. One's own perception may be realized through the reflexive presence and constructions in the image. The construction of the image is always visible, deliberate. My investigation of photography is not ridged. Rather my process may be seen as a semi-science, a form of ‘romantic mathematics.' The cannonized regiments of photography are hard to escape, but easy to negelect. I aim to enter the sublime, through amateurism.

daegu?

video : me
song : penguin cafe orchestra, telephone and rubber band

all

i lost my way to follow you
i hardly could see your long and weak back
they say all bull shit in a subway
and we're all drowned

penguin cafe orchestra

penguin cafe orchestra (bbc, broadcast '89)

one day

video : me

plans for other days

plans for other days
video dance solo + animation
from http://loutano.blogspot.com

afternoon

video : me
volume upupupupupupup babe

party

video : me song : 800 cherries, frozen (snow, snow, snow)

the heart knows better

david sylvian the heart knows better (remixed by sweet billy pilgrim)

stars spill out of cups

sweet billy pilgrim stars spill out of cups
-
vocal looks so greasy :-S

i don't know

i don't know
i don't know what i'm doing here
i don't know what i'm gonna do
i don't know what i really want to do
i don't know what i really feel
i don't know if i really want to be drowned

scene : baram

video : me
song : black moth super rainbow, hazy field people

jour de reve

yuki kawamura jour de reve (06' 12", 2005)
connected energy of playing children emerges like a fountain dream
dir. yuki kawamura / music. yoshihiro hanno / production. yuki kawamura

from http://www.yukikawamura.com/

호흡 a breath

video : me song : man, kirkjubaejarklaustur

mobile

-
Loan Nguyen, Mobile (2000 - 2005, in progress)
http://www.madameloan.com/

In the morning mist, the barely visible figure of a woman. As if on a tight rope, she walks along the edges of a stone pool, one step at a time. Close by, the same figure appears, creating a hand shadow on the wall of a rough concrete building, or contemplating its reflection in the calm waters of a lake...Recollections of childhood games, moments when one discovers in bewilderment that we are actually part of this world. Human presence discretely seeps into the landscapes, softly slides in. A posture, a slight gesture... and a link is established. A shadow is cast, an object is picked up, a reflection is seen : the effect of a being on his surroundings always remains slight. The body may then make its imprint by proxy, by mere projection. Points of contact appear, bonds are woven, and these minimalist spaces become territories of introspection (...)

sunday, august 12, 2007

video : me
song : the polyphonic spree, acceptance

when the day is done

nick drake day is done
-
i thought it would make me feel better if it rains all day long
but it didn't
i thought it would make me feel better if i'm in a bathtub all day long
but i wasn't
the day goes by and it is almost done anyway

kin

video (edit) : unknown

just the way you are

maggie gyllenhaal just the way you are

Don't go changing to try to please me
You never let me down before
Don't imagine you're too familiar
And I don't see you anymore
I would not leave you in times of trouble
We never could have come this far
I took the good times, I'll take the bad times
I'll take you just the way you are

Don't go trying some new fashion
Don't change the color of your hair
You always have my unspoken passion
Though I might not seem to care
I don't want clever conversation
I don't want to work that hard
I just want someone that I can talk to
I want you just the way you are

I need to know that you will always be
The same old someone that I knew
What will it take 'til you believe in me
The way that I believe in you

I said I love and that's forever
This I promise from my heart
I could not love you any better
love you just the way you are

vampire hotel

video : me
-
this stop is vampire hotel. next stop is the blood center of the red cross.

the shared patio

One was named Trevor, and he was having a birthday party this Saturday. Please come! the invitation said. We'll have a whale of a time! and there was a picture of a real whale. I looked into its tiny wise eye and wondered where that eye was now. Was it alive and swimming, or had it died long ago, or was it dying now, right this second? When a whale dies, it falls down through the ocean slowly, over the course of a day. All the other fish see it fall, like a giant statue, like a building, but slowly, slowly, slowly. I focused my attention on the eye; I tried to reach down inside of it, toward the real whale, the dying whale, and I whispered, It's not your fault.

Miranda July, 'The Shared Patio' from No One Belongs Here More Than You

this person

Someone is getting excited. Somebody somewhere is shaking with excitement because something tremendous is about to happen to this person. This person has dressed for the occasion. This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. This person is laughing out loud with relief and playing the message back to get the address of the place where every person this person has ever known is waiting to hug this person and bring her into the fold of life. It is really exciting, and it's not just a dream, it's real.
They are all waiting by a picnic table in a park this person has driven pas many times before. There they are, it's everyone. There are balloons taped to the benches, and the girl this person used to stand next to at the bus stop is waving a streamer. Everyone is smiling. For a moment this person is almost creeped out by the scene, but it would be so like this person to become depressed on the happiest day ever, and so this person buck up and joins the crowd.
Teachers of subjects that this person wasn't even good at are kissing this person and renouncing the very subjects they taught. Math teachers are saying that math was just a funny way of saying "I love you." But now they are simply saying it, I love you, and the chemistry and PE teachers are also saying it and this person can tell they really mean it. It's totally amazing. Certain jerks and idiots and assholes appear from time to time, and it is as if they have had plastic surgery, their faces are disfigured with love. The handsome assholes are plain and kind, and the ugly jerks are sweet, and they are folding this person's sweater and putting it somewhere where it won't get dirty. Best of all, every person this person has ever loved is there. Even the ones who got away. They hold this person's hand and tell this person how hard it was to pretend to get and and drive off and never come back. This person almost can't believe it, it seemed so real, this person's heart was broken and has healed and now this person hardly knows what to think. This person is almost mad. But everyone soothes this person. Everyone explains that it was absolutely necessary to know how strong this person was. Oh, look, there's the doctor who prescribed the medicine that made this person temporarily blind. And the man who paid this person two thousand dollars to have sex with him three times when this person was very broke. Both of these men are in attendance, they seem to know each other. They both have little medals that they are pinning on this person; they are badges of great honor and strength. The badges sparkle in the sunlight, and everyone cheers.
This person suddenly feels the need to check her post office box. It is an old habit, and even if everything is going to be terrific from now on, this person still wants mail. This person says she will be right back and everyone this person has every known says, Fine, take your time. This person gets in her car and drives to the post office and opens the box and there is nothing. Even though it is a Tuesday, which is famously a good day for mail. This person is so disappointed, this person gets back in the car and, having completely forgotten about the picnic, drives home and checks the voice mail and there are no new messages, just the old one about "passing the test" and "life being better." There are no e-mails, either, probably because everyone is at the picnic. This person can't seem to go back to the picnic. This person realizes that staying home means blowing off everyone this person has ever known. But the desire to stay in is very strong. This person wants to runs a bath and then read in bed.
In the bathtub this person pushed the bubbles around and listens to the sound of millions of them popping at once. It almost makes one smooth sound instead of may tiny sounds. This person's breasts barely just of of the water. This person pushed the bubbles onto the breasts and makes weired shapes with the foam. By now everyone must have realized that this person is not coming back to the picnic. Everyone was wrong; this person is not who they thought this person was. This person plunges underwater and moves her hair around like a sea anemone. This person can stay underwater for an impressively long time but only in a bathtub. This person wonders if there will ever be an Olympic contest for holding your breath under baQthwater. If there were such a contest, this person would surely win it. An Olympic medal might redeem this person in the eyes of everyone this person has every known. But no such contest exists, so there will be no redeeming. This person mourns the fact that she has ruined her one chance to be loved by everyone; as this person climbs into bed, the weight of this tragedy seems to bear down upon this person's chest. And it is a comforting weight, almost human in heft. This person sighs. This person's eyes begin to close, this person sleeps.

Miranda July, 'This Person' from No One Belongs Here More Than You